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♪ After the mind will be a category ♪
♪ Shop my pictures where
the bastards of philosophy ♪
♪ Drinking the clutch
brings up our skills ♪
♪ Like a sucker punch ♪
♪ Whole cart to see ’em my feet ♪
♪ Yeah, yeah, oh see ’em my feet ♪
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♪ Yeah, yeah, oh ♪
- I watch a lot of movies.
If you are a big fan, you’ve probably
watched on YouTube, Seamick Bee, IMDB.
And it’s where I watch old movies.
It’s like 50% Kung Fu movies,
50% science fiction movies.
And I just make mystery science
theater style jokes about them.
If that’s your thing great, if it’s not,
I understand that’s not
like everybody’s deal.
But it shows just how much I watch movies.
I watch lots and lots and lots of movies.
I have a two hour train ride.
So I watch a movie
probably every single day,
which is a very nice
way to spend my time,
because on the train has
become my media time.
So I don’t work, I don’t come home
and actually watch TV or movies at home.
It’s almost always on the train,
but that sheer volume means I’m
always very satisfied with my media intake.
But it does mean that
watching that many movies
means you inherently start
to analyze that many movies.
So that’s a big thing for
me is seeing movies again
and again and again and then
see how they change things
and differences and then you
learn stuff about stuff in movies.
I did a whole episode of
Seamick Bee on Fake Blood,
how to make fake blood in
the original Dawn of the Dead.
It was actually chocolate syrup.
So when they were like,
“Oh, no, no, no, no, no, no.
” I eating the body.
It was probably all chocolate
syrupy over their face.
It was a black and white movie, so
it showed up really well and delicious.
Some of the fake blood was
not edible, but when they do
zombie movies, they want
the fake blood to be edible.
One of them used like a pepto bismal as a
base, which means those people had some
probably interesting toilet
experiences after eating
the dead bodies as zombies
in the movie they were in.
I mean, it’s the price of fame.
I have spent a lot of time
watching movies and of course
all these sort of, I don’t
even know if they’d be cliches,
but you learn stuff about science in the
real world and movies and how they relate.
And I’m getting to the point where it’s
like, now sometimes I see stuff and I’m like,
ah, I shouldn’t really
be doing that anymore.
Like the people who make movies
should know better than that.
So I kind of put together a list of things
that I kind of want to
stop seeing in movies.
I did, you’ve heard of the bestel test,
which is you have two female characters
talking to each other and
they’re not talking about
the man or not talking
about a man in the movie.
It’s very hard for a lot of
movies to pass the bestel test.
I made the C-McB movie
test and it was, if your country
has nationalized healthcare,
would this story happen?
Because I was looking at a lot of
movies where my a relative got cancer
and we didn’t have any money
and we’re gonna lose the ranch.
So we have to go rob a bank to
get enough money to save the ranch
or some sort of convoluted
thing like that whereas if
you had national healthcare,
none of that would happen.
So this movie wouldn’t exist.
So that was a different kind of test for
essentially, is this movie super-American
or have the singular American
ideal of what the world is like?
Because in most other countries, this
situation would not occur in the first place.
A lot of ranches came
up, I do remember that.
But these are more small things
that I think overall we forgive,
but I think it might just
be time for movie makers
to just be like, you know,
it’s time for us to just like,
let’s do this properly from now
on or find some other solution
or be more creative
in the way we handle
things so that this
sort of scientific reality,
oh fuck, that one that
pissed me off the most.
(laughs)
It was like the last Star Wars movie
that came out that I saw in theaters.
It’s the one where the
rebels are just flying away
and then the empire’s
just chasing them in space.
They were shooting
lasers and the lasers were
arcing in space and it
was setting me off so much.
Because in space, you do
not need to arc anything.
Like there’s no gravity to fight against.
You don’t need to
shoot up and down like a
mortar because there’s
no gravity in space.
Unless you’re close to a planet, but then
it wouldn’t necessarily arc up and down.
You might have to shoot it out and so it
curves back inwards and hits the target.
They were shooting at
the ships ahead of them
and they were arcing up and then
going down and then just missing.
Like they were boats, but they’re
not boats because they’re in space.
And in the movie, it
took me out of the movie.
The Will Helm screen also
takes me out of movies now.
I learned it as a kid
and then the first few
times I heard it, I
thought, oh, that’s cool.
I’m in kind of like this private movie joke
that if you know you know kind of thing.
And now when I hear it, it actually will
take me out of the movie in that moment.
So you could do it in like light
action movies or fun movies and stuff,
but if you’re doing a serious
movie, never use the Will
Helm screen that’ll actually
ruin the movie for me.
It’ll take me out of your movie completely.
I’m essentially adding to this
list of things that now when
I hear or see them, it sort
of takes me out of the movie.
Not if I, ah, you could turn
this into a drinking game.
So you could have every
time one, it make a list of this.
And every time one of these
things happens, you have to
take a drink or you’d have
to watch a bunch of movies.
Most of this stuff only happens once per
movie, or each stuff one really big drink.
Ah, you have to chug a drink.
So you’d be there drinking with
your friends, but other thing happens.
The last person to shout it out
has to jug something, has to jug.
I’m talking for 40 minutes
straight, I gotta get set.
Yeah, I’m gonna get to drink a water
and then I come back and continue.
Just give me a second.
See, I was trying to organize
this into a drinking game.
I’ve actually done a couple of
drinking games over my time podcasting.
Most of them had to do a Steven Segal.
I think I had two Steven
Segal drinking games,
but I’ve made some
other drinking games.
I’ll see if I can make
them available somewhere.
It’s easier for people to access.
But these are some of
the things, I don’t know if
they’re cliches yet, but
they should be if they’re not.
And movie makers should stop doing them.
So they’re my first one.
And it was a guy walks into a room and
he starts dousing the room and gasoline.
And then he stops and he starts mine.
Winded from running up the stairs
’cause they didn’t wanna
be right back for too long.
So the initial one of
these was I was watching a
movie and a guy was
dousing a room and gasoline.
And there’s someone laying on the floor.
And he’s gonna set the room on fire
and that person’s gonna
burn to death in the fire.
And then the person,
they’re sort of like hurt.
They’re laying on the ground.
They can’t get up anymore.
And the guy starts to do a little
monologue about essentially how evil he is.
And then he flips the lighter.
Now in reality, the whole
time has been talking.
All that gasoline has been
building up as fumes within the room.
So as soon as he flips that
lighter, the whole place goes up.
There’s no question about it.
If he’s standing too close to the place
when he flips the lighter,
that whole place goes up.
Gasoline, fumes are just
as flammable as gasoline.
I learned this one by watching
these guys, they had this giant pyre.
And they were gonna set up on fire.
They wanted to make a giant bonfire and
this guy was pouring gasoline all around it.
And then as he went to throw the match
in, before he even got to throw the match,
it exploded because all the
gasoline he’d been pouring on
had been accumulating as
fumes as this cloud around him.
That cloud went up and then
the inside of the pyre exploded.
So that’s when I learned,
yes, you can’t be standing
close to something you’ve
just doused in gasoline.
So when they do the gasoline
and then they make a trail
away from the building or
whatever, that makes more sense.
I don’t know how well
that works in reality.
But it would actually make most sense
if you just threw something
into the room from a distance.
So you are no longer
allowed to douse a room in
gasoline and then light
a zippo or light a match
and then not have the whole
thing just explode in your face.
This is relative.
So someone is running away from
something that’s about to explode.
Or I don’t know, it seems
to be on boats a lot.
I guess you get as he explodes
and then you’d like fall into the water.
The explosion throws them.
Maybe they’re unconscious for a few
seconds, but basically everyone goes whoo,
that was scary or that
was tough or that was fun.
You know, some sort of, you know,
pithy statement and then they’re fine.
Now what I learned was that the thing
that throws your body
into the air is a shock wave.
And it’s a massive change in air pressure.
And this is the problem with
having lungs as a human being.
That the massive change in air pressure
outside your body versus inside your body
means that a blast wave is actually
going to collapse your lungs and kill you.
So every time you see a movie,
this might be ruined movies for you.
You may want to stop right now.
If you actually want to enjoy
movies for the rest of your life,
if an explosion is powerful enough to
throw your body any sort of distance,
then that is probably crushing
your lungs in the process,
especially the massive explosions
we see in movies most of the time.
So if you are in a room
and there’s an explosion
and you duck into a hallway
and then the big fireball goes past
you and you go, oh, because
I’ve seen that in movies as well.
That also, again, the air pressure
alone will be enough to kill you.
So that’s not acceptable anymore.
You can’t have a body thrown.
You can’t just dodge to
the side of an explosion.
You can’t have a small barrio that you hide
behind and then the fire goes over top.
And it looks very dramatic on
screen, but it doesn’t hurt you at all.
You just go, whoo, almost got exploded.
Because the fire isn’t actually the thing
that’s doing most of the
damage and explosion.
It’s actually the pressure, the
sound wave, the shock wave,
all this sort of pressures
in this incredibly violent way.
That’s what’s going
to be doing the damage
to the stuff around
you and your body itself.
It’s the same, I actually
saw a movie not too
long ago and they jumped
behind a bar in a bar
where some bomb exploded
in the middle of a bar.
Now, they’re doing okay, but that
bar better be really, really reinforced.
Like, if it’s just a piece of wood and,
again, bars are not particularly thick,
I assume it would
actually kill you as well.
Getting shot.
Now, we all love people getting shot.
I actually do, let’s see
this as the problem,
’cause I enjoy the movies
where the hero gets beat down
and then gets up and fights through
and in reality, like his body’s broken,
but he’s, you know, so
his spirit is so strong.
It’s mostly like fighting movies
and Kung Fu movies and stuff.
I love the guy who gets back up.
It’s actually to me with the
biggest appeal of Spider-Man
as a character because quite often
in Spider-Man comics and stories,
Spider-Man gets his ass
kicked and then his sort of
resilience of spirit is
what carries him through.
Now, I had a similar experience,
only I had the realistic one,
where I was in a judo competition
and the guy pulled my fingers back
and broke two of my fingers and,
you know, I watched too many movies,
so I was like, tape it up, I’m going back
in and of course my resilience of spirit
is going to take me
to a place where I now
go back in and then
win with my special move.
The reality is, in a competition,
if you have two broken fingers
and a big part of the game is
grabbing each other like judo,
you can’t do that with
one hand and you lose
and I lost real fast and
then I started to cry.
And this is not like, this was like
not crying because I lost a fight.
This was crying because this
was the end of my judo career.
Like this was the realization
that I had been defeated
for the last very real
time in my life because my
hand’s going to have to
heal by the time it heals.
Everyone who’s sort of in my group
is going to have passed on beyond me.
All that kind of washed over me
in one moment and it was very sad.
It’s funny now because
I can see it in terms of
what would happen in the movie
and what happened in real life
because in the movie I would
have not used my hurt hand
and then done something really good and
then just used foot techniques or something
and beat them that way and
been the champion of the world.
In reality, 10 seconds
later I was on my ass.
So you get shot in the shoulder.
The shoulder has become the
default for this is not a fatal wound.
So it goes in, maybe it’s
still in there and they want
to do a dramatic scene
where they took a bullet out.
Maybe it’s a through and through
and it’s really clean and
they just have to stitch it up.
I’m pretty sure any bullet
wound is going to stop
you from doing much
for the rest of that day.
Like after a judo
competition or a judo practice
where I do well, I need to
come home and take it out.
And that’s like, say I’m not injured.
That’s just like from the
what I’ve just put my body
through that day, I need
to go home, lay down,
maybe have a cold bath,
I’m not doing anything
else the next day
with any sort of vigor.
These guys, they get shot, they sew it up
and they go back out and
they perform at 100% ability.
I’m a little tired of that or this
could work for stabs as well.
Like you get stabbed,
I’ve never been stabbed.
But I’m assuming after you stab, you just
kind of like don’t do as well at anything.
There are people who get hurt stabbed
or shot and maybe they don’t notice
but then they should continue on not
noticing and then just drop from blood loss.
I think that actually would be an interesting
thing to do in a couple of movies.
Like during the middle of an action scene,
a guy just drops, you
could then you realize he
got shot and they didn’t
deal with it fast enough.
The volume of bullets is pretty significant,
like getting shot multiple times.
I’m sorry, I can’t see that ever again.
It’s always dumb action movies.
So I guess I’m more forgiving because I’m
not expecting them to be really realistic.
But if we’re gonna talk about realism
in movies where they’re shooting guns,
it’s the sheer volume of ammunition
they would have to bring with them.
Like, there was a guy who calculated,
it was a John Wick or it
was probably before that.
So maybe a Matrix movie.
For them to shoot the
sheer volume of bullets,
they’re shooting in
those action scenes.
They would need a guy behind
him with like a wheelbarrow,
full of ammunition to
help him reload constantly
because they’re just
like going through these
machine gun clips in
seconds and they’re reloading.
But where are those reloads coming from?
That, of course, again, being the Matrix,
it’s kind of got like
a magic element to it.
So I guess it’s pretty
easy to forgive in that case.
Like, you could just have in
the Matrix a, like you just have to
do like a video game where you
unload and reload and it’s fine.
It’s just full because it’s
the Matrix, it’s not real.
But that would mean the
real parts of like the bits filmed
outside the Matrix have to be
even like hyper realistic then.
They have to follow like super rules.
And I actually have guys
with barrel it’s of ammunition.
I think they did that in a third movie.
They had one where it was Max
and that guy was coming up and
he was basically shoving
bullets up to reload those things.
So I guess the Matrix did a good job.
We’ll give some credits in the Matrix.
Something that bothers me just personally.
And this comes from being not a rich dude
at any point in my life
is when they have guns
and it’s empty and
they just throw it away.
I’m like, do that’s expensive,
don’t throw that away.
It’s just wasteful.
When you defeat an
enemy, I absolutely believe
you should pick up
his gun, use it until it’s
dry and then continue
on with your own gun.
Maybe throw his gun away because
it’s empty and you don’t have his refills.
But I think at the end of
the day, guns cost money
and we should be a little
bit more fiscally responsible.
Maybe there’s another
environmental element in there as well.
On a very, very small side note,
just racking shotguns
unnecessarily on a regular basis.
Like, oh yeah, like it’s cool.
Racking a shotgun is one of
the coolest things you can do.
But I think it’s unnecessary
most of the time.
Still talking about gun fights.
Gun fights are a big
part of a lot of movies.
Like, suspense movies,
lots of movies have gun
fights in them because
guns are very exciting.
Hiding behind a couch or a
car door during a gun fight.
I don’t want to see that ever again.
Or I don’t want to see it
and have it be successful.
So if you hide behind a couch,
technically they can’t see you.
But if they do that thing where they shoot,
but they shoot the
couch, the couch is not
providing you with any
sort of defensive mechanism.
It’s just hiding your position.
The car door, a small gun bullet is going
to go through a car door fairly easily.
The only thing you can really hide behind
in a car would be like the engine block.
Maybe the wheels would be strong enough.
But still, again, if you’re
hiding on one side of
the car behind the wheel,
the bullet would have
to go through the car, maybe
through the wheel as well.
I could see that doing something still.
Big, big gun probably still doesn’t work.
The engine block is the only thing
that has substantive enough to stop it.
I actually, now we’re
getting onto electric cars.
I don’t know enough about
the structure of an electric car.
I know most electric cars.
They put it like a panel
of batteries on the bottom.
And each wheel has like a little engine.
That’s an interesting question
that I didn’t think about
until I just got here
right now, because I’m
thinking movies where
it’s like a big gas engine car.
That doesn’t exist anymore.
So when they have the scene
where the car is going towards
the bad guys and everyone’s shooting at
the car, essentially, it’s the engine block
that’s technically supposed
to be stopping all those bullets.
The engine block doesn’t exist
anymore in a modern car in a real way.
Ooh, I think I found a new problem
just by talking through these old problems.
We’re going to have to revamp
gun fights for electric cars.
We could blow them up
way more dramatically now,
because we can have the battery
set off, just like the Samsung phones.
The car, the bottom of
the car, like it’s that film
that goes in expands and then the
whole car like lifts up and then explodes.
It would give you a second run away.
And the explosion wouldn’t
be violent enough to throw
your body, so you’d actually
be able to survive that.
I think I’m solving my own problems by
talking through my problems with movies.
Electric cars actually deal with some of
the problems I’m talking about, that’s neat.
Okay, sorry, back on
track, back on my notes.
Hiding behind a couch, if they shoot
through the couch, you should get hit.
I mean, there is this
very, very small chance
that your body is not in
the place they’re aiming at
because they can’t see your
body, but realistically speaking,
they’re gonna shoot a couple of
times and then they’re gonna get you.
I never wanna see someone
run down a hallway away
from enemies and the
enemies have machine guns
of some sort or a goutling
gun or something and they
shoot down the hallway
and don’t hit the person.
It’s just not even that it’s like
dumb, it’s statistically impossible.
Like because it’s essentially a tube
and you’re running down the tube
and then shooting down the
tube as well, they have to hit you.
So you have to do something else.
You have to like duck into a doorway,
you have to have something happen.
If you are running down a straight hallway
and people are shooting straight
down the hallway, they gotta kill you.
I guess this has to be it from now on.
I can’t ever see someone run down a hallway
away from gunfire again and survive.
And that makes no sense and it’s
really, really annoying to me now.
This should relate to the
shoulder wound rule as well
’cause if I’m running down a hallway and
people are shooting, they’re gonna hit me.
They’re gonna hit me, therefore, I
should probably hit the ground pretty hard.
Talking about hitting
the ground pretty hard.
So John Wick, I am willing to
accept the magic bulletproof suits.
I think it’s cool.
They all get to wear a
nice suit and then they
can hold up the jacket
and that’s bulletproof.
But the thing that pissed me off in that
is that the bullets
then also lose all impact.
So I have my bulletproof suit on.
It’s stopping the bullets venturing my body
but the bullet is still hitting my body.
If you watch the John Wick movies, they
get shot and those magic bulletproof suits
just stop the bullets and they
don’t seem to have any impact
on the receiver at all, I
guess the victim, I don’t know.
That really started to bug me
because it would be actually really cool
is if I’m wearing the
magic bulletproof suit
and then my opponent
shoots me, it knocks me down.
It hurts, I get big
bruises, it like wins me.
It’s basically like being
punched from a distance.
You’ve now turned a
gunfight into a fist fight
in a weird way as long as you don’t hit the
face because their faces aren’t covered.
They did a couple of where
they held up the jacket
and front of their head and
then shot around it and stuff.
But then this is still loose material.
This material, yeah, okay,
so it’s stopping the bullet
but then it seems to be
like deflecting the bullet
or have some magic
power where it’s almost like
a Star Trek shield
that’s stopping the bullet.
That part went a little too far from me.
I actually think they
could have incorporated
physical results of
getting shot, not killed,
but getting shot and it
knocks you down, it hurts you,
it dislocates your shoulder
if you get shot enough.
It causes you enough
pain that you’re winded,
you can’t breathe and then
you have to fight through that.
You have a very, very
interesting scene going on
because you can shoot
a guy and then he’s like,
“Oh, God, my side, I
can’t breathe anymore.
” And then you have
a chance to escape.
They shoot you and they knock you down.
Now I have to struggle
to get up and escape again.
It should absolutely add a
minimum, knock you off balance.
Like if I’m running and then someone,
I’m wearing my magic bulletproof suit
and then someone shoots me,
it should knock me to the side,
it should knock me over, it should make
me trip, something like that should happen.
‘Cause I am still being hit
with something at speed.
Since we’re talking about running,
these all vaguely relate to each other,
which is interesting, I
didn’t do that on purpose.
Doing any sort of sort of
parkour without warming up first.
Parkour with no injuries, no
ankle twists, no stretched muscles.
Like I have done workouts
where mid-workout,
I’d warm up properly
and still pull to muscle.
I would like to see some parkour guys just
kind of hit a ground and just lay there.
Just like, ah, my ankle, ah, my
back, my shoulder, my something.
A parkour is one of
those things, I get, again.
You’re doing it to be acrobatic and cool.
Let’s throw just a sweet
salt of reality in there
and just have someone just
every now and then twist an ankle.
It would actually be a little
bit more high tension for me,
knowing that in this reality
they can’t actually get hurt.
‘Cause once they start doing parkour again,
they’re sort of
magical inability to have
injuries, sort of pisses
me off after a while.
I think this might be me getting old.
‘Cause I can’t do those
things even if I do warm up,
so it’s not fair that you
can do it in the movie.
Now we’re getting into
some pretty clear ones.
Stopped hearts being
restarted with the
fibrillators, that’s not
how the fibrillators work.
They get your rhythm back on track.
They do not restart
something that has stops.
So once your heart stops, unless you’re
using magic or something else, you’re dead.
I think that’s just the way it goes.
Something I learned from,
was it the locksmith lawyer?
It was on TikTok or YouTube.
It’s the guy who uses
very simple tools to
pick locks and he picks
them really super fast.
He actually will hit some
locks with another lock,
and if you hit it in the
right spot, it just unlocks.
He didn’t experiment where
he was shooting a gun at a lock
like they do in a movie, and
it just deformed in the lock.
It actually made it impossible.
It wouldn’t unlock anymore,
essentially it was what would happen.
And you couldn’t hit the bar, I’m
thinking one of those classic locks
was just a square with a
little rounded bar on top.
If you hit the bar, it would deform
the bar but not actually break it.
If you hit the actual body of it,
it would actually just lock
into place and never open.
You’ve actually made it
harder to break that way.
So they just start using the locksmith
lawyer, lock picking techniques in the future.
So you run up and just hit it
with something and then it opens.
But shooting it is
actually a really bad idea.
It actually would make it
harder to open in the long run.
A chloroform, I don’t actually, I
haven’t seen chloroform in a long time.
So I guess that’s one’s pretty forgivable.
Chloroform, they used
to put it over someone’s
face and they would
just instantly fall asleep.
Chloroform in reality takes
about five to 10 minutes
to work and it depends
on how big your body is.
So I’m 200 pounds, six foot.
You’re putting chloroform on me.
It’s gonna take let’s say
seven minutes before I go under.
And that’s if I’m breathing deeply
while you hold that thing over my face,
which I’m not going to do
because I’m gonna be very annoyed
that you’ve just stuck
something on my face.
‘Cause I’m first question is ’cause
we have you washed this cloth.
Like is this a clean cloth
covered in chloroform?
That’s what I would wanna know.
And then if it’s not, now the flight is on.
It would take a very large
volume and a minimum
of five minutes to
actually take effect.
So I’m saying, again, we want
creative solutions to these problems.
In this case, what you should
do is just create a new chemical.
So it’s not chloroform,
it’s chloroform 2.
0, it’s a new chloroform,
it’s chloromax.
Whatever, just so that it
does go on the person’s face
as this is instantaneous,
the problem is if it’s something
that’s instantaneous
and I’m carrying it around,
I’m probably breathing
in those fumes as well.
You gotta be careful about that.
I don’t wanna see someone carrying something
that knocks you unconscious instantly,
and they’re just like,
have it in their hand
and they’re breathing it
and they have no problem.
Every new thing you create
also might create new problems.
You have to think about
it all the way through.
The pulling out a grenade
pin with your teeth,
I haven’t even seen that in
years and years and years.
I think that was like a really old trope.
It’s very obviously not
something that comes out easily.
They don’t want grenade
pins to just pop out
simply, so a real grenade,
apparently if you put it
in your teeth and you pulled your
teeth would come out before the pin does.
So it takes a great amount of force,
and I thought actually would be great
if you came up with a more
creative ways to pull the pin.
So the teeth looked
cool, I’m okay with that.
But realistically speaking,
you can only do that
once or twice before
everyone’s like, okay,
we get it, it’s kinda silly.
But hooking it on something and
pulling it and then throwing the grenade,
racking your gun with the
grenade pin to pull it out
and then throwing the
grenade and then shooting,
I could come up with three
or four that don’t require
unrealistic scenarios
that could still look cool.
Like I don’t want things
to not look cool anymore.
I just want them to look cool
in a new and more realistic way.
I want them to take
actual physics into account
when they’re making
their cool action scenes.
I think that would actually be more
visceral and more exciting for most people.
‘Cause it’s almost like you
wouldn’t know it was real,
but deep down inside you would
kinda know this was more realistic.
Like you can kinda feel when something
is more realistic than something else.
And the last one, it kinda
happens in John Wick as well.
Silenceers.
Silenceers dampened sound.
They don’t silence.
I guess you could
come up with magic new
silence or that does
actually make the sound.
But yeah, if I’m in a room and you
assassinate someone in the room next to me
with a silence rod,
I’m still gonna hear it.
So I’m gonna know what’s going on.
So I’d be okay with that.
Like you assassinate
someone, they’re in their bed.
If someone else is downstairs,
they would hear the good, it
wouldn’t be like, then people
next door might not hear it.
But me downstairs, I would hear it.
And then I come up and then
we can have our action scene.
And then you’re using
a silencer appropriately.
I saw a guy on YouTube
and he was shooting a silencer
indoors already a lot of
questions going on there.
But he was like, you could
see like there was the smoke,
the big cloud of smoke,
so you’d be able to smell it.
Even if you hadn’t heard
it, there was a lot of noise.
And there was a lot of sort of
like, almost blast came off at like,
it shook the room around it because
he was in a hallway shooting into a room.
Yeah, I think we could ease
off the silencers a little bit
and that would actually make it
again, more exciting because, okay,
we’ve not alerted maybe the
whole compound of terrorists,
but we’ve alerted the
compound, the terrorists
in the next couple of rooms
and we got to deal with
them quickly enough
before they raise the alarm.
Now I’ve added another layer
of tension to the situation.
I am thinking, is there a way
to turn this into a drinking game?
Because I think every
one of these individually
only happens once or
twice in a movie anyway.
It’s like even if you’re
in the movie scenario,
it wouldn’t be enough to be
a drinking game on its own.
But I’m trying to come up
with a way to make this into it.
Maybe a bingo card.
We make a bingo card of all those things.
And then as you watch
the next five or six movies,
the ones that come up, you
check off and whoever gets bingo,
they get a prize in
your little friend group.
They are the coolest movie watcher ever.
Or you could just have this list and
then when one of these things happen,
if you don’t call it out,
you have to chug something.
Something that probably is too much
for you to drink, you shouldn’t drink it.
I don’t know how to end that fuck.
I had a, it was a good idea.
I don’t want to encourage,
like, binge drinking.
Drink responsibly, make movies responsibly.
(upbeat music)
♪ After the mind of the Academy ♪
♪ Shocked my big chest ♪
♪ Where the bastards of philosophy ♪
♪ Drinking at lunch ♪
♪ Brings above our skills ♪
♪ Like a soccer punch ♪
♪ Won’t come to see what my big ♪
♪ Yeah, yeah, yeah, oh see what my big ♪
♪ Yeah, oh see what my big ♪
♪ Yeah, oh see what my big ♪
♪ Yeah, yeah, oh ♪